Vicente Fernández
Birthday
1940/02/02
Day of death
2021/12/12 (81 years old)
Gender
Male
Place of Birth
Huentitlán, Jalisco Mexico
Also know as
El rey de la canción ranchera, Chente
Biography
Vicente "Chente" Fernández Gómez (February 17, 1940 - December 12, 2021) was a Mexican recording singer, actor, and film producer. Nicknamed as "El Rey de la Cancion Ranchera" (The King of Ranchera Music) throughout the Hispanosphere, Fernández started his career singing for tips on the street, and became a cultural icon, recording more than 50 albums and contributing to more than 30 films.
Acting
(2016) Un Azteca En El Azteca Parte 1
as Singer
(1983) Dos de abajo
as Doctor (uncredited)
(1976) La ley del monte
as Maclovio Arrieta
(1978) El Arracadas
as ---
(1987) El macho
as ---
(1980) Picardia mexicana 2
as ---
(1981) Como México no hay dos
as Valente Fierro
(1973) Entre monjas anda el Diablo
as Vicente Rocha
(1982) Juan Charrasqueado y Gabino Barrera
as ---
(1983) Un hombre llamado el diablo
as ---
(1977) Dios los cría
as ---
(1984) El sinvergüenza
as ---
(1984) Matar o morir
as ---
(1983) Una pura y dos con sal
as ---
(1984) Acorralado
as ---
(1980) Coyote and Bronca
as Juan Mireles / El Coyote
(1990) For your damn love
as ---
(1986) Picardia mexicana 3
as ---
(1989) El cuatrero
as ---
(1983) A Real Man
as Joaquín Barrera
(1985) Sinverguenza pero honrado
as ---
(1973) Tu camino y el mio
as ---
(1973) Uno y medio contra el mundo
as ---
(1974) Jalisco nunca pierde
as ---
(1974) Son of the Town
as Vicente Aurelio Martino Lopez
(1975) El albañil
as Reinaldo
(1976) Juan Armenta, the repatriated
as Juan Armenta
(1978) Picardía mexicana
as ---
(1979) El tahúr
as Martín Estrada
(1989) Entre compadres te veas
as ---
(1987) El diablo, el santo y el tonto
as Refugio Romero/Mariano Romero/Carmelo Romero
(1972) Tacos al Carbón
as Constancio Rojas Rodríguez 'Champi'
(1991) Mi querido viejo
as Luis Fuentes
(1975) La loca de los milagros
as ---
(1985) El Embustero
as El embustero
(2004) Celia Cruz | ¡Azúcar!
as Self
(2002) Las Lunas del Auditorio
as Self