Suso Cecchi d'Amico

Suso Cecchi d'Amico

Writing

Birthday

1914/07/21

Day of death

2010/07/30 (96 years old)

Gender

Female

Place of Birth

Rome, Lazio, Italy

Also know as

Suso Cecchi d’Amico, Suso d'Amico

Biography

Suso Cecchi D'Amico (1914–2010) was an Italian screenwriter and actress. The Italian screenwriter collaborated on the scripts of more than 100 films, including Vittorio De Sica's Ladri di Biciclette (Bicycle Thieves, 1948), William Wyler's Roman Holiday (1953), Mario Monicelli's I Soliti Ignoti (Big Deal on Madonna Street, 1958) and Francesco Rosi's Salvatore Giuliano (1962). She also worked with Michelangelo Antonioni on Le Amiche (The Girlfriends, 1955) and Franco Zeffirelli on Jesus of Nazar...Read more

Acting
Boccaccio '70
6.9

(1962) Boccaccio '70

as (segment "Renzo e Luciana") (uncredited)

Luchino Visconti
6.2

(1999) Luchino Visconti

as Self

La strana coppia. Incontro con Age e Scarpelli
0.0

(2001) La strana coppia. Incontro con Age e Scarpelli

as Self

Monicelli: La versione di Mario
5.5

(2012) Monicelli: La versione di Mario

as Self (archive footage)

Zwischen Kino und Konzert - Der Komponist Nino Rota
6.3

(1993) Nino Rota: Between Cinema and Concert

as Self

Romy Schneider, étrange étrangère
0.0

(2002) Romy Schneider, étrange étrangère

as Self

Franco Cristaldi e il suo cinema Paradiso
0.0

(2009) Franco Cristaldi e il suo cinema Paradiso

as ---

Io sono Anna Magnani
8.0

(1980) My Name Is Anna Magnani

as Self

A Dying Breed: The Making of 'The Leopard'
0.0

(2004) A Dying Breed: The Making of 'The Leopard'

as Self

0.0

(1994) Il gattopardo: Viaggio della memoria

as Self

L'ultimo gattopardo - Ritratto di Goffredo Lombardo
6.5

(2010) L'ultimo gattopardo - Ritratto di Goffredo Lombardo

as Self

Un amico magico: il maestro Nino Rota
6.0

(1994) A Magic Friend: The Maestro Nino Rota

as Self

Marcello, una vita dolce
5.2

(2006) Marcello, una vita dolce

as Self

Working with De Sica
0.0

(2007) Working with De Sica

as Self

0.0

(2002) Il Ludwig di Visconti, storia del film e della sua ricostruzione

as Self