Birthday
1930/06/16
Day of death
2016/01/01 (85 years old)
Gender
Male
Place of Birth
Szeged, Hungary
Also know as
William Zsigmond, William Zsigmund
Vilmos Zsigmond, ASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Wikipedia
(2003) Return of the "Hired Hand"
as Himself
(1994) Maverick
as Albert Bierstadt
(1997) Big Guns Talk: The Story of the Western
as Self
(2000) Light Keeps Me Company
as Self
(2009) No Subtitles Necessary: Laszlo & Vilmos
as Self
(2012) Side by Side
as Self
(1992) Visions of Light
as Self
(2010) Louis
as Hungarian Photographer
(2006) Who Needs Sleep?
as Self
(2012) Black and White in Color: Vilmos Zsigmond on 'Blow Out'
as Self
(2003) Imagining Images
as Self
(2016) Close Encounters with Vilmos Zsigmond
as Self
(2001) 'Obsession' Revisited
as Self
(2001) The Making of 'Close Encounters of the Third Kind'
as Self
(2017) Spielberg
as Self
(2004) Z Channel: A Magnificent Obsession
as Self
(2004) Final Cut: The Making and Unmaking of Heaven's Gate
as Self
(2019) Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson
as ---
(2003) Who Killed 'Winter Kills'?
as Self
(2002) Vilmos Zsigmond Flashes 'The Long Goodbye'
as Self
(2010) A Cinematic Life: The Art and Influence of Conrad Hall
as Self
(2003) Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
as Self
(2000) Altman on His Own Terms
as ---
(1953) The Oscars
as Self